The line of jokes

I briefly mentioned how there is a moral line that should never be crossed by satirists and trolls in my other blog post, Satire or trolling?, and that line is very hazy. This line is hazy because morals are all relative and that humor is accepted, by society to a certain degree, to mask meanness and the degree of which can also be relative. Jokes are similar in that they also have this line when they are made at another’s expense, but whether it is a joke, satirical comment, or troll, does not matter when it crosses the line of a member of the audience. It is no longer funny and rather hurtful and mean.  Continue reading “The line of jokes”

Illogical Logic

New critics revolutionized American writing and literature analysis, by using analytical laws to determine the quality of writing. It was believed that literature must be logically analyzed in terms of laws, but this logic is illogical. Logic is defined to be “reasoning conducted or assessed according to strict principles of validity” by the Merriam Webster Dictionary, and it indicates that logic is subject to change when the reasoning focuses on different assessments and therefor cannot be restricted to such a narrow point of view of law.  Continue reading “Illogical Logic”

A gross structure

 There is a belief that “all elements of human culture, including literature, may be understood as parts of a system of signs” called structuralism (Murfin 490). Structuralism can be seen in linking of different subjects through a commonality like in the form of alphabetical order, numerical order, and many more forms. However the signs in structuralism do not have to be so clean cut, but in fact it may be dirty, poop dirty.

Warning: There is a graphic image below and is not for the faint of heart. Continue reading “A gross structure”

Look closer

In Percival Everett’s re:f (gesture), Everett hides the meaning of his poems with convoluted descriptions of the human body. Instead of using common terms, such as the nose, Everett uses the scientific name, such as the “nasal fossae” (51). Claire Corbeaux mentioned that by using scientific terms Everett removes the romanticism because the reader is unable to discern Everett’s intent. However, I clearly saw the sexual romanticism, but this may be because I have some predisposed knowledge of the human body, as a Biology major. I understood the terms Everett was using and I believed that Everett was able to romanticize the human body even more than if he did not use them. This idea attacks New Criticism advocates because objectively there would be no value in Everett’s work without knowledge of those terms, but when known, there is more meaning then there could have been.  Continue reading “Look closer”

It’s complicated

Communication seems simple, so we keep it simple, but that is where it gets complicated. Percival Everett explains this better than I would with his quote in Erasure, “It’s incredible that a sentence is ever understood. Mere sounds strung together by some agent attempting to mean something, but the meaning need not and does not confine itself to that intention. Those sounds, strung as they are in their peculiar and particular order, never change, but do nothing but change. Even if grammatical recognitions are crude, meaning is present. Even if the words are utterly confusing, there is meaning”. Continue reading “It’s complicated”

Disturbed

Professor McCoy has been grilling me to do some “unpacking” on why I believed that the sex in Frenzy, by Percival Everett, was so “disturbing”, so I will. Now I do want to provide some meta-commentary, but it is going to be quite graphic and very awkward, which is why I never did “unpack”.

Continue reading “Disturbed”