The use of a theme or subject followed by its variations is a concept present across all disciplines; in some form, a writer will take an idea or subject and develop it into several related ideas to convey a similar message or atmosphere as the original. English Literature and Modern Western Music are two disciplines that effectively utilize theme and variation, though the theme and variation found in English Literature is less direct in its use compared to Western Music—essentially, they share the same concept, yet produce slightly different results or feelings within the reader or audience. English literature’s use of parody functions by using an augmented version of a subject and the theme and variation of Western Music functions by taking the exact subject and creating several variations of that musical idea.
For a better understanding of theme and variation in Western Music, I will provide a relatively famous piece, composed by Wolfgang Mozart, that is a theme and variation on a relatively famous lullaby recognizable to you within the first few seconds—if you do not recognize the piece, the title is on the top of the video.
In the 203 Reader & Text course, we the students have been exposed to the works of Percival Everett, which constantly incorporate a concept of theme and variation through the literary device known as Parody—Parody is a literary technique which comically imitates a specific, generally serious work or the style of an author or genre. In response to his work, which constantly produces allusions to individuals and ideas outside his work, the course has also exposed us to the material from the source of the allusions, which conveniently incorporate several other disciplines, including Modern Western Music. For example, Western Music is used in the films of Sidney Poitier, who is the subject for the parody present in the novel I Am Not Sidney Poitier that follows the life of the character Not Sidney Poitier, whose name acts as it is a parody to the actor Sidney Poitier, as he experiences the events of several Sidney Poitier films like Lilies Of The Field, The Defiant ones, and A Patch Of Blue—A Patch Of Blue was not shown in class; it follows the life of a blind young white woman as she befriends a black office worker played by Sidney Poitier, leading to romance in opposition to the desire of the girl’s abusive mother. Continue reading “Theme And Variation Across Disciplines”

